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Mor Mezrich

Mixing and Recording

Mor Mezrich in the studio control room

Hi, I'm Mor. I help artists get the feeling in the room onto the record.

(01) Approach

What it's like working together

The gear matters. But the first thing you'll feel is that someone's genuinely paying attention.

  1. You'll be heard as a musician

    Before anything else, the question is whether the groove feels right and the emotion is coming through. You won't have to fight to be understood as a player. That part's a given.

  2. You don't need the jargon

    Tell me the feeling you're chasing: a record you love, a moment that gives you chills, a vibe you're after. Translating that to levels and signal chains, that's where I come in. You'll focus on whether what's coming out of the speakers is hitting right.

  3. You'll feel at home

    Coffee's on. The vision is set. You have the space to be exactly who you are. You've got an engineer in your corner who took the time to understand what you're really after and knows how to get it there.

(02) Listen

Press play.

(03) The Sonic World

Feel the room.

Vocals that pull you in. Real players. Live drums. The band locked together.

Real performance, players reacting to each other, the sound of something happening in a room.

Drum kit set up on a Persian rug in a wood-paneled live room

(04) Working Together

It's a conversation.

  1. i.

    Pre-production conversation

    We talk about the record you're trying to make. No tech vocabulary required: feeling, intent, the thing you keep coming back to.

  2. ii.

    A reference playlist

    Send a handful of tracks you love and a sentence on why each one matters. It gets me inside your head faster than any technical term or specs (you don't want to think about that anyway).

  3. iii.

    The session

    We're focused on one thing: the truest intent of the song, and whether it's landing. Everything else is in service of that.

  4. iv.

    Results

    We chase the feeling until it's in the speakers.